Popular actor Murotsuyoshi's recent performance attracted attention, not for the grudge theme as expected, but for the notably empty seats in the venue. Despite the initial enthusiasm, a significant drop in turnout was observed. The reason for this decline is yet to be ascertained. This comes amidst Japan's ongoing struggle with the global pandemic, where the influence of audiences' reluctance to gather in public places could play a significant part.

Theater performances in Japan, led by highly respected actors like Murotsuyoshi, have traditionally drawn large audiences. Empty seats at such events are not common and warrant concern. This could also reflect the broader societal concern providing subtle glimpses of struggle against pandemic-related restrictions.

In the US or EU, a similar situation would provoke discussions about the sustainability of traditional theater amidst digitalization, coupled with public health concerns. The technological aid, though highly prevalent, is yet to match the aura of live theater events, sparking conversations on survival and evolution of this art form.